We all know about the art called STARRY NIGHT as one of the most recognized art pieces in the world. But most of us have no idea, what the painting actually is? Well, this is what I found when I started working on this art.
Vincent van Gogh painted STARRY NIGHT in 1889 during his stay at the asylum of Saint-Paul-de-Mausole near Saint-Remy-de-Provence. Well, coming to the painting, it is a magnificent piece of art undoubtedly. With the incorporation of dark colours of which Blue dominates, blending hills into the sky, the little village stays at the base shown by the shades of brown, grey and blue, each building outlined by black. And here comes the attention grabber of the painting, the stars and moon painted with yellow and white where the moon stands out against the sky.
What I felt in STARRY NIGHT:
One of the most exciting things about this painting is it came entirely out of Van Gogh’s imaginative. The brush strokes on the cypress tree, the clouds around the stars and the moon bend with the curve of the branches, which show that Van Gogh is respected by his people like the clouds bowed to the cypress tree.
The town is just up and down with rigid lines that interrupt the flow of the brush strokes, just like many people who criticized his work.
EXPRESSIONISM and RELIGIOUS INTERPRETATION:
Van Gogh’s signature style, characterized by bright and heavy brushstrokes, which are sloppy, crude and childish. While other painters working in the mid-nineteenth century were mostly interested in painting landscapes and portraits that looked like photographs, Van Gogh used his exaggerated and expressive brushstrokes to visualize the way he felt inside and reveal his personal impressions of whatever subject he wanted to paint. While paintings like Starry Night were obviously far ahead of their time and paved the way for EXPRESSIONISM, one of the significant art movements of the early twentieth century, the art of Van Gogh was largely unappreciated during those times.
But there is much more than INSANITY and ISOLATION in his painting. Van Gogh himself was also religious, even serving as a missionary in his younger days. In 1888, he wrote a letter in which describes “a great starlit vault of heaven….one can only call God.” With a theologian to his family member. Like shown in the art how the spire of church stretches up to the sky, Von Gogh brings God to the village.
Like Joseph, a dreamer and an outcast in the company of his eleven older brothers said in Genesis 37:9 “Look I have dreamed another dream. And this time the moon, the eleven stars bowed down to me.” Which means that he was thrown, sold into slavery and underwent years of imprisonment much like Van Gogh did the last years of his life in the Arles asylum. No matter what Joseph did, he could not receive the acceptance or respect from his 11 older brothers. Likewise, despite his best efforts as an artist, he failed to receive the recognition of art critics of his day. So, we might think where did Van Gogh found himself in STARRY NIGHT? It is uncertain, yet Van Gogh may identify himself with the looming cypress tree in the foreground of the painting.
Well, here is what I took. Though there were so many interpretations of the starry night, I could still find hope in this art. The bright colours shown even in the dark night shows that it is still possible to see the light. Likewise, we need to find hope, and like the shining stars filling the sky, we should lighten up to find a guide to lead our ways. The bold colours used show us to find peace and love in our life.